Clark University: An ideology inspired by the Devil

In her article entitled, "The Degradation of Women by Feminist Extremists," Bridget Geegan Blanton writes, "...from the repressive identity that reduced a woman’s worth to her body parts. Those tough-minded Suffragettes, pioneers of the women’s movement, risked everything in the fight for rights and equal treatment under the law for American women. Feminist Extremists have squandered that legacy with an assault on the dignity of women and a dark retreat to the repressive past by claiming that a woman’s worth is defined by and limited to her body as propagandized in the demeaning production known as ‘The Vagina Monologues’.

The annual goose step onto college campuses of this exercise in female degradation is announced every Valentine’s day with shock value PR tactics such as 40-foot inflatable vaginas. This offensive strike against traditional values is actually an overt attempt to hijack the romance associated with this day and replace it with a message of male-bashing and sexual deviance. In textbook leftist style, supporters of the play cloak their attack on values and morality under the guise of promoting awareness about violence against women. In reality, the play is a non-stop obsession with a body part and imparts zero information regarding the defense against or recovery from a violent attack...Promoters of the play peddle their pornographic, anti-male propaganda behind a smokescreen of feel-good phrases like ‘empowerment’, ‘breaking the silence’, ‘liberating women’ and ‘provocative’. The term ‘provocative’ is a rather benign description of vignettes that feature pedophilia and sexual perversion..."

But The Vagina Monologues is more than pornographic agitprop which degrades women.  This satanic play also represents an attack on the Virgin Mary, Mother of God.  Which explains why Clark University, which has a history of Catholic-bashing, is so in love with the production.  Bridget Blanton explains, "No devoted, rank and file leftist is worth their tainted salt if they fail to take a swipe at the Catholic Church. You’re not considered part of the club if this rite of passage is left undone. In ‘The Vagina Monologues’ actresses describe 'Vagina Sightings and Miracles', an ugly, rapacious smear against sightings of the Blessed Mother that have been attested to, by the faithful in locations such as Lourdes, France. Ensler scored high with secular progressives by employing this standard bashing method against the Catholic veneration of the Virgin Mary."

This is most significant because the enemies of Mary are the enemies of Christ.  And the enemies of Christ are the enemies of God.  When people engage in hatred against Mary, the Most Holy Mother of God, this is strong evidence that they are inspired by the devil and, in certain cases, it is evidence of demonic possession.  It was St. Louis de Montfort, in his classic work on the Holy Rosary entitled "The Secret of the Rosary" (Ninth Rose), who said that: "It is very wicked indeed and unfair to other souls to hinder the progress of the Confraternity of the Holy Rosary. Almighty God has severely punished many of those who have been so benighted as to scorn the Confraternity and who have sought to destroy it.


Even though God has set His seal of approval on the Holy Rosary by many miracles, and in spite of the Papal Bulls that have been written approving it, there are only too many people who are against the Holy Rosary today. These freethinkers and those who scorn religion either condemn the Rosary or try to turn others away from it.

It is easy to see that they have absorbed the poison of hell and that they are inspired by the devil - for nobody can condemn devotion to the Holy Rosary without condemning all that is most holy in the Catholic Faith, such as the Lord's Prayer, the Angelic Salutation and the mysteries of the life, death, and glory of Jesus Christ and of His Holy Mother.

These freethinkers who cannot bear others to say the Rosary often fall into a really heretical state of mind without even realizing it and some to hate the Rosary and its holy mysteries.

To have a loathing for confraternities is to fall away from God and true piety, for Our Lord Himself has told us that He is always in the midst of those who are gathered together in His name. No good Catholic should forget the many great indulgences which Holy Mother Church has granted to Confraternities. Finally, to dissuade others from joining the Rosary Confraternity is to be an enemy of souls because the Rosary is a sure means of curing oneself of sin and of embracing a Christian Life.

Saint Bonaventure said (in his Psalter) that whoever neglected Our Lady would perish in his sins and would be damned: 'He who neglects her will die in his sins.' If such is the penalty for neglecting her, what must be the punishment in store for those who actually turn others away from their devotions!"

But isn't that precisely what those who promote The Vagina Monologues are doing?  They mock devotion to and veneration of Our Lady because they have absorbed the poison of Hell.  The importance of devotion to Our Lady, and more specifically devotion to the Holy Rosary, is often downplayed by those who, either consciously or unconsciously, have become instruments of the Evil One. The Devil knows full well that what St. Louis de Montfort says about the Holy Rosary is true: "I beg of you to beware of thinking of the Rosary as something of little importance - as do ignorant people, and even several great but proud scholars. Far from being insignificant, the Rosary is a priceless treasure which is inspired by God. Almighty God has given it to you because he wants you to use it as a means to convert the most hardened sinners and the most obstinate heretics. He has attached to it grace in this life and glory in the next. The saints have said it faithfully and the Popes have endorsed it." (Secret of the Rosary, White Rose).


The Devil frequently uses people (and this includes misguided Catholics) to frustrate or hinder the Confraternity of the Rosary. Why is this? Because, as St. Louis De Montfort explains: "Blessed Alan de la Roche, Fr. Jean Dumont, Fr. Thomas, the chronicles of St. Dominic and other writers who have seen these things with their own eyes [miracles of the Rosary] speak of the marvelous conversions that are brought about by this wonderful devotion. Great sinners, both men and women, have been converted after twenty, thirty or forty years of sin and unspeakable vice...I shall content myself with saying, in company with Blessed Alan de la Roche, that the Rosary is a source and a storehouse of countless blessings. 1. Sinners obtain pardon; 2. Those who thirst are refreshed; 3. Those who are fettered are set free; 4. Those who weep find joy; 5. Those who are tempted find peace; 6. Those in need find help; 7. Religious are reformed; 8. The ignorant are instructed; 9. The living learn to resist spiritual decline; 10. The dead have their pains eased by suffrages." (Secret of the Rosary, Fortieth Rose).

Clark University has clearly chosen sides in the Culture Wars.  And in the spiritual battle in which we find ourselves, Clark has sided with the evil spirits who both hate and fear Our Lady, the Immaculata.  Hence the attacks against her.  Again, St. Montfort: "God has established only one enmity - but it is an irreconcilable one - which will last and even go on increasing to the end of time. That enmity is between Mary, his worthy Mother, and the devil, between the children and the servants of the Blessed Virgin and the children and followers of Lucifer.


Thus the most fearful enemy that God has set up against the devil is Mary, his holy Mother. From the time of the earthly paradise, although she existed then only in his mind, he gave her such a hatred for his accursed enemy, such ingenuity in exposing the wickedness of the ancient serpent and such power to defeat, overthrow and crush this proud rebel, that Satan fears her not only more than angels and men but in a certain sense more than God himself. This does not mean that the anger, hatred and power of God are not infinitely greater than the Blessed Virgin's, since her attributes are limited. It simply means that Satan, being so proud, suffers infinitely more in being vanquished and punished by a lowly and humble servant of God, for her humility humiliates him more than the power of God. Moreover, God has given Mary such great power over the evil spirits that, as they have often been forced unwillingly to admit through the lips of possessed persons, they fear one of her pleadings for a soul more than the prayers of all the saints, and one of her threats more than all their other torments." (True Devotion to Mary).

The enemies of Mary, the enemies of Christ, know this full well.  Which explains their hatred and their rage directed against the Immaculata.

Related reading: At Clark University it's "okay" to mock Christianity.

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Clark University: Promoting a Theology of Violence

At their website, the Clare Booth Luce Policy Institute has an excellent article refuting the lies of those who promote the anti-Catholic production The Vagina Monologues, a pornographic play which encourages violence against women.  Entitled, "The Vagina Monologues Facts vs. Fallacies," the article refutes the top ten common claims made by V-Day organizers and supporters:

1) Claim: "The play empowers/liberates women."

False: The Vagina Monologues is a lie. It does not empower women with its message that: women's identity and image are wrapped up in their sexual organs. True empowerment lies in the heart and the mind. Consider these images from the play:

•"The Woman Who Loved To Make Vaginas Happy" is a monologue about a successful tax attorney who leaves her career to become a lesbian dominatrix prostitute, specializing in the use of sexual "props," i.e. whips, handcuffs and ropes. Liberating or ironically violent?

•"The Vagina Workshop" describes a woman who attends an orgasm workshop and participates in a group masturbation session. The workshop leader tells the woman her sexual organs are "the essence of me, both the doorbell to my house and the house itself." This mindset is exactly what the early suffragettes were fighting against.

•Reclaiming C**t” invites the audience to participate in cult-like chanting of an explicit word to describe a woman's private parts. And this exercise empowers women because?


2) Claim: "The play raises awareness about violence against women."

False: The play offers women little more than encouragement to view themselves as a single body part and become obsessed with their sexuality and sexual behavior. It does not provide healthy or practical information about how to protect themselves against violence and/or recover from a violent experience.

•The opening monologue states that playwright Eve Ensler's biggest anxiety was not about adequately and responsibly addressing violence against women. She wrote this play because she “was worried about [her] own vagina” as far as “what we think about vaginas and even more worried that we don't think about them.” How about worrying that laws setting punishments for sexual offenders are not strong enough? Or that most women are unfamiliar with basic self-defense techniques?

•Questions raised throughout the play make a mockery of meaningful ways to address and learn about violence against women. They include, “If your vagina got dressed, what would it wear?,” “If your vagina could talk, what would it say?,” and “What does a vagina smell like?"

3) Claim: "The play is not anti-male."

False: Men are only mentioned in a negative way throughout the play as adulterers, abusers, weirdos, and rapists. Consider the following examples:

•The cheating husband who “forced” his wife to shave her vagina in the monologue “Hair.”

•Andy Leftkov, who in “The Flood,” calls his date “a stinky weird girl.”

•Supporters of the play will often ask, “What about Bob?” Bob is featured in “Because He Like To Look At It.” “It” meaning a woman's vagina. What we learn is that Bob is ordinary, boring, and unappealing, that is, until the woman character discovers his one redeeming quality: a perverted obsession with women's private parts.

4) Claim: "If you don't want to see the play, you don't have to."

False: Advertisements, promotional materials, and other events surrounding the play around campus are equally offensive and degrading.

•Roger Williams University was flooded with signs that read, "My Vagina is Huggable," "My Vagina is Flirty," and "My Vagina is Regal."

•University of North Carolina-Chapel Hill allowed tee shirts that read "I Heart My Vagina."

•Boise State University distributed vagina lollipops.

•Florida State University had an orgasm workshop.

•Arizona State University constructed a 40-foot inflatable vagina on campus.

5) Claim: "The play is not pornographic"

False: It includes extremely graphic descriptions of women's sexual experiences.

•One monologue has an explicit depiction of two lesbians having sex. “She's inside me. I'm inside me.” And it gets much, much worse.

•“The Vagina Workshop” describes one woman's experience with masturbation. “I bounced and landed, landed and bounced. I came into my own muscles and blood cells and then I just slid into my vagina.”

6) Claim: "Opponents of the play are anti-feminist."

False: Those who oppose the play are pro-woman. We reject the effort to convince women to think of themselves as sexual objects. And we object to this play as a way to bring meaningful attention to the serious issue of violence against women. In addition, the early suffragettes—the original feminists—fought hard for equal rights and treatment under the law for women. They fought against the very notion that a woman is reducible to a single body part. By opposing this play, we honor their efforts.

7) Claim: "The play does not venerate child rape."

False: The child rape that occurs in “The Little Coochie Snorcher That Could” is presented as a sympathetic and spiritually redeeming experience for the young girl who is violated. She describes the rape as “surprising, unexpected, politically incorrect salvation” that “transformed my sorry-ass coochi snorcher and raised it up into a kind of heaven.” The monologue describes how a 24-year-old woman plies a 16-year-old girl (she is 13 in the original version) with vodka and then sexually violates her. And in the original version, this monologue ended with the line: “If it was rape, it was a good rape.”

8) Claim: "Funds raised by the play are ending violence against women."

While some of the funds are being sent to community programs and organizations that help victims of violence, the play itself does not effectively address this issue, its cause or any meaningful solutions. Rather, it encourages the very attitude that often leads to sexual violence: treating women as objects. According to V-Day organizers, groups who have also received proceeds from the play include Equality Now, Feminist.com, gay and lesbian centers, Planned Parenthood, and Girls, Inc.—groups with specific political agendas that reach way beyond violence against women.

We hope the V-Day marketing ploy and the lunacy of the play will be exposed. We also hope women, men, professors, and administrators will reject this demeaning portrayal of women. Until then, our approach is to inform, equip, and support reasonable students who are offended.

9) Claim: "The play is based on real women's stories."

False: In her book, Eve Ensler states, “Some of the monologues are close to verbatim interviews, some are composite interviews, and with some I just began with the seed of an interview and had a good time.” The "V-Day" website provides no evidence these interviews actually occurred or that any of the women mentioned exist.

10) Claim: "Opponents of the play are against free speech."

False: Opposing the play and advocating censorship are two very different things. We do not propose violating the First Amendment. In the free marketplace of ideas, the best idea will win out.

V-Day Unveiled was created to offer positive approaches that students can use to offer alternatives and/or express their disapproval of the play being performed on campus and with school funds. (See here).

But Jeremy Levine, a student who writes for Clark University's student newspaper The Scarlet, is quite content with the pornographic agitprop which encourages violence against women.  For Jeremy, true empowerment does not lie in the heart and mind.  For Jeremy, a woman's identity is wrapped up in her sexual organs.  He writes, "The vagina is much more than a body part, its the essence of what it is to be female, the epitome of feminine empowerment, and every single one is unique, not just on a biological level."

And this at a time when a student was sexually assaulted on Clark's campus.


Jeremy's review of The Vagina Monologues is so disturbing that it reads like the transcript of a serial rapist who is fixated on women's vaginas: "The performances themselves were fabulous. Stage productions often rely on acting, but not this one. Sure, the lines were memorized, and agonizing hours went into rehearsal, but the feeling was sincere. The people on stage really cared about vaginas, and really understood how the women they were portraying felt. This made [it] much easier to connect to the message....I learned about angry vaginas, young vaginas, old vaginas, neglected vaginas, adored vaginas, mysterious vaginas, overeager vaginas, and shy vaginas. One woman described her vagina as being “better than the grand canyon,” while another stated that hers “stays closed, and [she] doesn’t go down there.”..I always knew that sexuality was complicated, but this brought it to a whole new level... Every person on stage had a completely different take on her vagina and her interactions involving it...Vaginas are complicated, but their complications go beyond the physical. Each individual woman (and each individual man) has his or her own relationship with particular vaginas, and vaginas in general. These are not relationships to oversimplify, neglect, or generalize. They are the epitome of understanding one’s sexuality, and the beginning of trying to understand that of other people." (See here).

What Jeremy (and Clark University) is advancing is a theology from Hell. It is most ironic that his article is entitled "Peace, love and Vagina Monologues," for this pornographic play has nothing to do with love.  It is, rather, representative of today's cruel demand for sex without love, for a licentiousness in sex which has wrought a heartless society in which individuals do not care for anyone but themselves. The fruit of this demonic theology is the slaughter through abortion and euthanasia of human beings created in the Imago Dei. It is a theology of violence which is rooted in hatred of truth. For at the heart of immorality is falsity, the hatred of truth. Fr. Vincent Miceli explains: "...violence entered creation from the rebellion of Lucifer. This rebellion arose from the heart of pride. But the sin of pride is the offspring of the vice known as hatred of truth. Hatred of truth is the result of the creature's attempt to rearrange God's hierarchy of beings and values into an order which the creature prefers to the plan of God. This attempt immediately produces the violence of disorder, the chaos of falsity and immorality. For hatred of truth is really hatred of God who creates all things wisely and governs them lovingly. Lucifer, the Morning Star, was instantly deformed into the Prince of Darkness because he attempted to live a lie. He wanted to dethrone God and become God himself..." ( Essay entitled The Taproot of Violence).

At one university, the student Knights of Columbus group issued an open letter deploring the, "..performance of trash that demeans women and only serves to degrade the dignity of the human person...The Monologues will not further the mission of our University. A woman is a person, not an object. God blessed humanity with the gift of sex as a way of celebrating the love between spouses and of bringing new life into His world...."

This is the essence of the new anti-Christian sex education in preparation for the Moloch State. As George Kendall explains in Witness for the Truth, this sex education "radically separates sex from the very idea of the covenanted love of man and woman. Sex becomes merely a self-centered appetite to be satisfied and not a gift of self to another. As a result, what this kind of education produces is the lonely, autonomous individual. This is the ultimate in alienation. The autonomous individual is alienated even from his own body, which becomes to him only a thing, too - a thing to be used as a means to his autonomous pleasure. The end result is depersonalization which, if it lasts into eternity without being healed, means eternal loss.

Few have put it as eloquently as Randy Engel did: 'Is it any wonder that the state must wage war against the family? For the state requires not individuals who dream, and think, and pray, but rather what has come to be called 'the mass man' - rootless, unaffirmed, a reactor - a mere reed blowing in the wind - a thing to be manipulated, to be used, to be disposed of, but never, never, to be loved, for the giant has no heart. And since the modern state has no heart, that which men previously have done out of love, must now be done out of fear, and hatred, and brute force.' So clearly, contemporary sex education, 'Catholic' or otherwise, is a profound attack on human dignity and on the human person.." (Witness for the Truth, pp. 399-400. citing Randy Engel "The Family Under Siege," Wanderer, March 6, 1980).

And now I would add, satanic. The United States, like the other Termite Nations of the West, is fast-becoming a Moloch State which claims total jurisdiction over man. It is becoming a demon-state which rejects God's Commandments and His plan for the human family. This demon-state (and make no mistake about it, our leaders increasingly have recourse to demons) denies that there is any transcendent, higher-than-human voice or authority that cares for man. R.J. Rushdoony explains that:

"The Moloch State simply represents the supreme effort of man to command the future, to predestine the world, and to be as God. Lesser efforts, divination, spirit-questing, magic and witchcraft are equally anathema to God. All represent efforts to have the future on other than God's terms, to have a future apart from and in defiance of God. They are assertions that the world is not of God but of brute factuality, and that man can somehow master the world and the future by going directly to the raw materials thereof."

Clark University has succumbed to hatred of truth.  For this reason, the institution is now succumbing to a lust for violence.  Our Lord warned the Pharisees that men who reject God's plan for their salvation will imitate Satan's deeds.  Enter the Moloch State and he who will rule it with hatred and violence in his own name. (John 5: 43).

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For some Clark University students, I am "delusional" for seeing the connection between destructive pornography and violence against women

The Most Rev. John D'Arcy, Bishop of Fort Wayne-South Bend, in a statement which may be found here, asks, "What is wrong with the text of this play [The Vagina Monologues]? It distorts the beautiful gift of human sexuality, clouding its richness so it becomes merely the seeking of pleasure. Sexuality in the Catholic tradition is always related to the gift of self to another. 'Sexuality is an enrichment of the whole person — body, emotions and soul — and it manifests its inmost meaning in leading the person to the gift of self in love.' (Familiaris Consortio, Pope John Paul II).

In contrast, the play in question reduces sexuality to a particular organ of a woman’s body separate from the person of the woman, from her soul and her spirit. It alienates woman from man whom God has entrusted to her as friend and companion. It separates sexuality and the human body from love. How opposite from our tradition which says, 'A woman’s dignity is closely connected with the love which she receives by the very reason of her femininity. It is likewise connected with the love she gives in return.' (On the Dignity of Women,  Pope John Paul II).

While some will find it hard to believe, it is true that this play depicts in an approving way a sexual relationship between an adult woman and an adolescent girl, a minor. Such an action, which is a crime in both civil and church law, is also considered a serious sin in Christian moral teaching. The play also contains explicit depictions of masturbation and lesbian sex, portrayed in a positive light.

In this first encyclical letter, Pope Benedict XVI, theologian and pastor, speaks to this cultural phenomenon with striking clarity. 'Nowadays Christianity of the past is often criticized as having been opposed to the body; and it is quite true that tendencies of this sort have always existed. Yet the contemporary way of exalting the body is deceptive. Eros, reduced to pure 'sex,' has become a commodity, a mere ‘thing’ to be bought and sold, or rather, man himself becomes a commodity. This is hardly man’s great 'yes’ to the body and his sexuality as the purely material part of himself to be used and exploited at will. Nor does he see it as an arena for the exercise of his freedom, but as mere object that he attempts, as he pleases, to make both enjoyable and harmless. Here we are actually dealing with a debasement of the human body: no longer is it integrated into our overall existential freedom; no longer is it a vital expression of our whole being, but it is more or less relegated to the purely biological sphere. The apparent exaltation of the body can quickly turn into a hatred of bodiliness. Christian faith, on the other hand, has always considered man a unity in duality, a reality in which spirit and matter compenetrate, and in which each is brought to a new nobility.' (Deus Caritas Est, Pope Benedict XVI, Dec. 25, 2005).

Bishop D'Arcy then cites Pope John Paul II in his classic work "Love and Responsibility": 'Art has a right and a duty, for the sake of realism, to reproduce the human body, and the love of man and woman, as they are in reality, to speak the whole truth about them. The human body is an authentic part of the truth about man, just as its sensual and sexual aspects are an authentic part of the truth about human love. But it would be wrong to let this part obscure the whole — and this is what often happens in art … Pornography is a marked tendency to accentuate the sexual element when reproducing the human body or human love in a work of art, with the object of inducing the reader or viewer to believe that sexual values are the only real values of the person, and that love is nothing more than the experience, individual or shared, of those values alone.' And then His Excellency adds, "Such an analysis brings clarity. The play [The Vagina Monologues],...does not portray the whole truth about human sexuality; and by this separation, it violates the truth about the body, the truth about the gift of sexuality, the truth about love, and the truth about man and woman."

As I mentioned in my last Blog post, Women for Faith and Family, a highly respected association of Catholic women led by serious scholars, has said that: "Vagina Monologues is destructive, pornographic, deforming agit-prop deliberately and cynically aimed at young women - in particular at young Catholic women - a form of victimization that it is perilous to ignore. It contradicts at the deepest level the truth of creation; it is profoundly anti-Catholic, anti-God; and a contemptible assault on the very nature of the human person."  The play, as WFF correctly notes, "..actually contributes to violence against women, while claiming to be fighting it."

But many of the students at Clark University don't see it that way.  I received an email from an individual calling himself Carson Stevens.  In this email, Carson asserted that, "The implication that Clark University creates an atmosphere that is partially responsible for the sexual assault is incorrect."  On what does he base his argument?  Well it's simple according to Carson: "Clark's production of Vagina Monologues does not include that scene which you described."  But there is far more than just one offensive scene.  As Bishop D'Arcy noted, "The play also contains explicit depictions of masturbation and lesbian sex, portrayed in a positive light."  The whole play, as Bishop D'Arcy said, "reduces sexuality to a particular organ of a woman's body."

So much for the "they deleted the one lesbian rape scene" argument.

Then Carson writes, "As for the guilt of Clark, no Clark community member has been linked to the crime (with the exception of the survivor, herself)."  Translation: You cannot put Clark Students or faculty at the scene of the crime as actual participants, therefore we bear no responsibility for this crime even though we have been  fostering an atmosphere where women are demeaned and others are encouraged to view women as objects to be used and exploited at will.

If productions do not influence human behavior, what is the point of the television commercial?

Another Clark Student (I traced his IP address to Clark University), calling himself "Sigma," berated me for my post on The Vagina Monologues and wrote, "Dude, your views aren't even accepted by 99.9 percent of Christians."  In other words, because I believe women are created in the Imago Dei (in the Image and Likeness of God) and should not be reduced to being mere sexual objects to be exploited and used, I am out of touch with reality.  Sigma added, "You need to get off your delusional Christian agenda and leave Clark alone."

According to the City of Worcester, in 2011, detectives investigated approximately 280 sexual assault cases in which 41 fell within the definition of forcible rape as defined in the UCR. "The remainder of the cases did not meet the strict definition....It is anticipated that the reported number of forcible rapes as defined by the UCR will increase when the FBI changes the UCR definition of rape."


280 sexual assault cases.  In one year.  In one city. That number is an obscenity. But it would appear that some Clark Students do not have a problem with sexual assault and violence against women in general.  Hence the cavalier attitude toward a pornographic play which contributes to violence against women.

You can be sure that if these same individuals had a wife, a daughter or a sister who was raped or in some way sexually assaulted, they wouldn’t be so quick to dismiss the legitimate concerns expressed here. They would be too busy trying to comfort their loved one.  They would be in tears.

This is part of the problem. Until this sort of violence hits close to home, it is easy for some to just wave the hand and dismiss the concerns of those who see the connection between destructive pornography and sexual assault  Such people forget that every woman who is sexually assaulted is a person with hopes and dreams. A person who wants to feel safe.

For some Clark University students, I am "delusional" for seeing the connection between destructive pornography and violence against women.

Yes, clearly I am the delusional one.  Which is why we read here that:  "All pornography soft, hard, and even 'neutral' sex-education materials, desensitize the viewer and allow him to become conditioned to sexual acts, violent and nonviolent, as an integral part of human behavior. This conclusion has been reached in 26 separate studies."

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Is Clark University partially responsible for the climate which led to the sexual assault of a woman on campus?

WHDH is reporting that: "Worcester police are investigating an alleged sexual assault after a Clark University student says she was attacked early Thursday morning. The 20-year-old student says she was walking home at around 3:30 Thursday morning. Investigators say the victim was on Clifton Street when she was approached by three men in a car. According to police, a man in the backseat grabbed the woman, slapped her, stole her purse and sexually assaulted her."  See here.

As I noted in a previous post, Clark University, which has become a hotbed of radical homosexual agitprop and Christianophobic propaganda, supports Eve Ensler's The Vagina Monologues, a play which celebrates lesbian rape. In one scene, a twenty-four-year-old woman gets a thirteen-year-old girl drunk and rapes her. This is presented as a good thing. The victim later says, "If it was rape, it was a good rape. I'll never need to rely on a man."


Then I looked at what Women for Faith and Family has to say about The Vagina Monologues at its website.  This Catholic organization explains that, "It is extremely difficult to know how one might address such a matter as 'V-Day' in the most productive way - not least because to even name this performance involves our using the very language that the perpetrators intend to desensitize us to. Thus, ironically, we are forced to participate, at some level, in the very degradation and violence against the human person to which we object. I believe this is part of the plan. It considerably compounds the difficulty of criticizing it... That is by no means the only irony - or contradiction - involved in the V-Day movement (of which performance of the V-Monologues is the keystone). As you doubtless know, V-Day projects claim to be fighting abuse of women. But the verbally pornographic 'monologues' are themselves abusive of women - they attack the concept of womanhood itself, and destroy the integrity of the human person. Thus it actually contributes to violence against women, while claiming to be fighting it".

1. Reducing women essentially to one body part is hardly pro-woman. It distorts sexuality, objectifies women and, ironically, promotes attitudes towards women and sexuality precisely like those that lead to sexual violence against women.

2. This performance does not even represent real 'voices of women', as it claims in order to give it a ring of authenticity. The author, Eve Ensler, says she based her contemptible creation on her personal interviews with 200 women - indeed, the V-Monologues are usually represented as the authentic voices of women 'telling their own stories' (e.g., Father Timothy Clancy, SJ's editorial enclosed).

But Ensler herself acknowledges that she freely interpreted her 'data'.

3. The stated goal of V-Day is to stop all violence against women, and the income from the plays allegedly is given to agencies that help stop 'violence' (the "V" in "V-Day" also stands for violence) against women. But this, too, is a sham. Ensler employs a full time staff of ten to manage her "V-Day" movement; and donations are often given to dubious (or worse) groups (a set-up similar to Catholics for a Free Choice).

a. Planned Parenthood groups have produced the play (e.g. Planned Parenthood, Eureka, California: the web-site notice is enclosed).

b. In at least one instance a battered women's shelter that had been selected to receive a donation from the V- Monologues refused to accept it after learning what the performance was about. (Reported in Texas A&M's News Source - Feb. 12, 2002: 'V-Day stirs controversy'.)

c. The liberation of Afghan women is one of Ensler's causes. However, as we have seen recently, the 'aid' to Afghan women has included provision of abortion services. While we were not able to establish that Ensler's 'V-Day' has actually given any aid at all to Afghan women, it is clear that not all 'aid' is beneficial.

4. The V-Monologues promote particular sexual pathologies: lesbianism and pedophilia. One 'voice' - that of a 13-year-old girl - vividly describes how she was seduced by a 24-year-old woman. She says, 'if it was a rape, it was a good rape'. This section reportedly led to objections even by feminists sympathetic to the production, leading one reporter to wonder whether this scene might be expurgated from the version being performed on more than 543 college campuses this year. Whether or not the producers do self-censor this scene (as may be likely especially in the context of recent pedophila scandals), it is entirely consistent with the rest of the production.

Vagina Monologues is destructive, pornographic, deforming agit-prop deliberately and cynically aimed at young women - in particular at young Catholic women - a form of victimization that it is perilous to ignore. It contradicts at the deepest level the truth of creation; it is profoundly anti-Catholic, anti-God; and a contemptible assault on the very nature of the human person".

One has to wonder if officials at Clark University are really concerned about violence against women.  Women for Faith and Family is right in saying that The Vagina Monologues is destructive, pornographic agitprop which objectifies women and "promotes attitudes towards women and sexuality precisely like those that lead to sexual violence against women."

Is Clark University at least partially responsible for the climate which led to the sexual assault of a young woman on its campus?

It is my contention that Clark University has encouraged Christianophobia (see here) while attempting to demonize moral opposition toward homosexuality.  See here.

Our sad time.

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